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ハウカンプ　イリス (HAUKAMP Iris)

氏名 / Name ハウカンプ　イリス (HAUKAMP Iris)
所属職名 / Affiliation 大学院国際日本学研究院/准教授
Institute of Japan Studies/Associate Professor
電子メール / Email haukamp@tufs.ac.jp
ウェブページ / Website
学位 /
Degree
  • 修士（ジェンダー学）(ロンドン大学SOAS) 2005年
    MA Gender Studies(SOAS, University of London) 2005
  • 博士（メディア?フィルム学）(ロンドン大学SOAS) 2015年
    PhD Media and Film Studies(SOAS, University of London) 2015
研究分野（e-Rad分野） /
Research Field(s) (by e-Rad)
  • 映画史、映画研究、文化史
    film history, film studies, cultural history
研究キーワード /
Research Keywords
  • film studies
  • cultural history
  • film history
  • Japanese film

所属学会 / Affiliated Academic Societies

    • SOAS Centre for Media and Film Studies
    • SOAS Japan Research Center
    • International Association for Media and History
    • 日本映像学会
      Japan Society of Image Arts and Sciences (JASIAS)

主要研究業績 / Main Research Publications

論文 / Papers

  • ゾンビとパンデミック的思考―社会的恐怖と映画記述, パンデミックの言説, 2022年
    Zombies and pandemic thinking: social fear and film technology, The Pandemic Discourses, 2022
  • Introducing Asian Sound Cultures, Asian Sound Cultures: Voice, Noise, Sound, Technology, 1-16, 2022
  • The four lives of Matsugorō the Lawless: agency, constraint and what is “worthy” of film censorship in trans-war Japan, Japanese Visual Media: Politicizing the Screen, 47-70, 2021年
  • The Group of the Roaring Waterfall: Researching the Narutaki gumi filmmaking collaborations (1934-1937), Journal for Japanese Studies, 10巻, 153-170, 2020年
  • The festival of nations that never was: nationalist transnationalism in the 1940 Winter Olympics and the Japanese German film collaboration The People’s Oath (1938), Japan Beyond its Borders: Transnational Approaches to Film and Media, 2020年
  • Troubling bodies on the silver screen: The politics of representing female bodies in , 東京外国語大学 国際日本学研究 報告 Ⅲ CAAS & NINJAL ユニット合同セミナー 2017「言語?表象?歴史」, 5-10, 2018年
  • Early film flows: Japan, Germany, and the compromises of coproduction, Historical Journal of Film, Radio, and Television, 37巻2号, 174-202, 2017年
  • Itami Mansaku, contested history, and editorial interventions: Cinema and our understanding of the past, Proceedings International Symposium Internationalising Japan Studies: Dialogues, Interactions, Dynamics , 43-48, 2017年
  • Filmraum Tokyo: Vom nansensu slapstick zur Sozialsatire, Tōkyō als Experimentierfeld einer anderen Moderne, 147-168, 2017年
  • Girls, girls, girls: Vernacular flappers and cinematic discourses on modernity, 日本語?日本学研究, 6巻, 199-213, 2016年
  • Transnational cinematic encounters in critical times: Germany and Japan in World War II, The London Film and Media Reader 3: The Pleasures of the Spectacle, 599-609, 2015年
  • Fr?ulein Setsuko Hara: Constructing an international film star in nationalist contexts, Journal of Japanese and Korean Cinema, 6巻1号, 4-22, 2014年

書籍等出版物 / Books and Other Publications

  • Asian Sound Cultures: Voice, Noise, Sound, Technology, Routledge, Scholarly book, Joint editor, 2022
  • A Foreigner’s Cinematic Dream of Japan: Representational Politics and Shadows of War in the Japanese-German Coproduction New Earth (1937) , Bloomsbury, 学術書, 単著, 2020年
  • Politics and Power in Twentieth Century Japan: The Reminisces of Miyazawa Kiichi, Bloomsbury, 学術書, 共訳, 2015年

MISC / MISC

講演?口頭発表等 / Presentations

  • When professionals become amateurs: Sync sound and expertise in 1930s Japanese cinema , Amateurs, Professionals, Researchers: Sound Archives and Sonic Histories, International presentation, Oral presentation (general), The University of Sheffield, 2024
  • Keynote speech: Les Japon(s) sonore?, Le Japon sonore: modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations, International presentation, Oral presentation (general), Université Bordeaux Montaigne, 2024
  • Early films and creative chaos: Establishing links and lineages in Japanese cinema, Showcasing the Japan Biographical Database (JBDB), Domestic presentation, Oral presentation (general), Sophia Universotu, 2024
  • Ski jumping, the impossible 1940s Olympic Games, and an unlikely German-Japanese-Swiss film alliance, Japan: Pre-Modern, Modern, Contemporary, International presentation, Bucharest University of Economic Studies, Oral presentation (general), Bucharest, Romania, 2024
  • A Historical Take: Past Faces and Voices on Contemporary Screens in Interwar Japan, AAS in Asia, International presentation, Oral presentation (general), Universitas Gadjah Mada, Yogyakarta, Indonesia, 2024
  • Asian Sound Cultures; Voice, Noise, Sound, Technology, Book Talk Series, International presentation, Clube de cultura asiática, Oral presentation (general), Faculdade de letras, Universidade de Porto, 2024
  • Introduction to "Die Tochter des Samurai", Nippon Connection Film Festival, International presentation, Oral presentation (invited, special), Fankfurt, 2024
  • Book presentation: Asian Sound Cultures:Voice, Noise, Sound, Technology, Association Asie-Sorbonne, International presentation, Oral presentation (general), Institut National d'Histoire de l'Art (INHA, Paris), 2024
  • Performing for a contemporary society: From stage to screen in 1930s Japan, Performing Arts in Contemporary Japanese Society, Domestic presentation, Oral presentation (general), Center for Global Research Initiatives, University of Hyogo, 2023
  • Cinematic Networks: The Narutaki Scriptwriting Collective and Their Creative Connections, Japan: Pre-Modern, Modern, Contemporary, International presentation, Center for Japanese Studies, Oral presentation (general), Bucharest University of Economic Studies, 2023
  • Visualizing cinematic networks: The Narutaki scriptwriting collective and their creative connections, European Association of Japanese Studies Conference 2023, International presentation, Oral presentation (general), Ghent University, 2023
  • Constructing the sound of Japan in film: Atarashiki tsuchi (1937) and its German-Japanese context, Asian Studies Conference Japan (ASCJ), Domestic presentation, Oral presentation (general), Sophia University, 2023
  • Moving up the Huangpu River: Documenting the Sino-Japanese War through a transnational lens in The Comrade’s Song (Senyū no uta, 1939), AAS in Asia, International presentation, Oral presentation (general), Kyunpook University, 2023
  • Changing the sound of the past in 1930s Japanese films, Trajectories in Sonic Japan-an interdisciplinary workshop, Domestic presentation, Oral presentation (general), Tokyo University of Foreign Studies, 2023
  • Supermarket Woman: Bubble shadows in Itami Jūzō’s film, Cultural Productions and Practices in Contemporary Japan Conference Series: Representations of the economic crisis in movies, International presentation, Oral presentation (general), Inalco, Paris, 2023
  • Listening to perfect and imperfect voices: The (film) world In transition and the soundtrack of "New Earth" (1937) , Association for Asian Studies Annual Conference, International presentation, Oral presentation (general), Boston, 2023
  • Noise on the soundtrack: 'Atarashiki tsuchi's (1937) acoustic construction of Japan, British Association for Japanese Studies Conference, International presentation, Oral presentation (general), University of Manchester, 2022
  • Round-table discussion: Asian Sound Cultures, Differentiating Sound Studies: Politics of Sound and Listening, International presentation, Music Research Center, Hanyang University, Oral presentation (general), Hanyang University, Seoul, 2022
  • "Basierend auf wahren Begebenheiten: Richard Angst und seine Filmarbeit in Japan (1937-1938)", OAG Vortr?ge, 国際会議, Deutsche Gesellschaft für Natur- und V?lkerkunde Ostasiens, 口頭発表（一般）, 2021年
  • 'Girls in Uniform (1931) in Japan: Representational diversity and transnational film culture', Eleventh Annual Symposium of the Consortium for Asian and African Studies (CAAS), 国際会議, 口頭発表（一般）, School of Oriental and African Studies (SOAS), London, 2021年
  • Book Break: A Foreigner’s Cinematic Dream of Japan, Book Breaks, 国際会議, The Foreign Correspondents' Club of Japan, 口頭発表（一般）, 2021年
  • 'Constructing Kajiwara Kinpachi: Collective filmmaking and the question of authorship and purpose in 1930s Japan’, Archival Kismet: A Conference for Historical Exploration, 国際会議, 口頭発表（一般）, Mississippi State University, 2021年
  • ‘Aspects of the cinematic representation of Japanese culture through globalization and de-globalization (1896-1945)’, Tenth Annual Symposium of the Consortium for Asian and African Studies (CAAS), 国際会議, 口頭発表（一般）, Shanghai International Studies University, 2019年
  • ‘The boundaries of radicalism: Itami Mansaku’s trajectory from nonsense to humanism in transwar Japan, European Association for Japanese Studies (EAJS) in Japan, 国際会議, 口頭発表（一般）, University of Tuskuba, 2019年
  • The ‘festival of nations’ that never was: the 1940 Winter Olympics and Japanese-German film collaboration, Japanese Transnational Cinema 2, 国際会議, 口頭発表（一般）, Waseda University, 2019年
  • Zeitgeistkritiker, Nachkriegsgewissen? Itami Mansaku (1900–1946) und sein Werk im Kriegs- und Nachkriegsdiskurs, 5. Deutsch-Asiatischer Studientag Literaturwissenschaft: Kriegswolken über dem Pazifik, Asien-Pazifische Konflikte in Literatur, Film und Wissenschaft II, 国際会議, Freie Universit?t Berlin and Humboldt-Universit?t zu Berlin, 口頭発表（一般）, Mori-?gai-Gedenkst?tte, 2019年
  • You Can Succeed, Too! Economic High Growth, Social Competition, and International Trends, Symposium Directions in Japanese Film Studies, 国際会議, 口頭発表（一般）, Tokyo University of Foreign Studies, 2019年
  • Making Japanese films in the 1930s: challenges and innovations, Invited talk, 国内会議, 公開講演，セミナー，チュートリアル，講習，講義等, Leiden University, Netherlands, 2019年
  • 1930s Japan: A challenging environment for filmmakers, Invited talk, 国内会議, 公開講演，セミナー，チュートリアル，講習，講義等, INALCO, France, 2019年
  • Sound in cultural translation: Perceptions of “old” and “new” Japan in New Earth (1937, Sound Culture Studies and Modernity in Asia Conference, 国際会議, 口頭発表（一般）, Tokyo University of Foreign Studies, 2018年
  • Love and passion in Japan: Japan’s representational crisis, international understanding, German filmmaking (1932), TUFS Institute of Transcultural Studies Lecture Series, 国内会議, 口頭発表（一般）, Tokyo University of Foeign Studies, 2018年
  • Coming to terms with the past: Writing a film history and the complication of boundaries, Workshop Asian Experiences of World War II in the Asia-Pacific, 国際会議, 口頭発表（一般）, Hitotsubashi University, 2018年
  • The four lives of Matsugorō the Lawless, Japanese Cinema and Social Change in Japan, 国際会議, 口頭発表（一般）, Kyoto University, 2017年
  • The golden sixties, zombies, and sararīman: film as social commentary, 2nd Tokyo Humanities Café, 国内会議, 公開講演，セミナー，チュートリアル，講習，講義等, Good Heavens Pub, Shimokitazawa, 2017年
  • 黄金時代の日本映画の魅力伊丹監督の「赤西蠣太」と “国際日本映画研究, Chofu Kinema Club, 国内会議, 公開講演，セミナー，チュートリアル，講習，講義等, 2017年
  • Fighter pilots of Dai-Nippon: Memory, representation, context, Discovering “Dai-Nippon”: Memory, Place and the Politics of Identity, 国際会議, 口頭発表（一般）, University of Tokyo, 2017年
  • Right history/wrong history? Ideological hierarchies in cinematic representations of the past in wartime Japan’, Institute of Japan Studies Lecture Series: Japan Studies Today: Literature, Culture, Society, 国際会議, 口頭発表（一般）, Tokyo University of Foreign Studies, 2017年
  • Roundtable presentation and discussion, Grassroots Fascism: Then and Now, 国際会議, 口頭発表（一般）, Tokyo University of Foreign Studies, 2017年
  • Atarashiki tsuchi (1937): Itami Mansaku and the curious case of the Nazi film, Invited lecture, 国内会議, 口頭発表（一般）, Ritsumeikan University, 2017年
  • Early hopes and dreams: Hara Setsuko as an international superstar in 1937, Public lecture: Remembering Hara Setsuko, 国内会議, 公開講演，セミナー，チュートリアル，講習，講義等, Tokyo University of Foreign Studies, 2016年
  • German mountain films: A reintroduction, The playground of Europe: Reassessing the ideology of prewar German and Austrian mountain sports and mountain films, 国内会議, 口頭発表（一般）, Tokyo University of Foreign Studies, 2016年
  • Mountain rebels: The Freiburg Film School as subversive (1920-1934), The 2016 Film & History Conference, 国際会議, 口頭発表（一般）, Milwaukee, USA, 2016年
  • Double-crossing imperial lines: The Man’ei Film Studios as contradictory space, Seventh Annual Symposium of the Consortium for Asian and African Studies (CAAS), 国際会議, 口頭発表（一般）, Tokyo University of Foreign Studies, 2016年
  • You can succeed, too! Social Imagination and inoculation, The Age of Heibon Punch: and 1964 Tokyo Olympics: Consumption, Mass Media and Social Imagination in Post War Japan, 国内会議, 口頭発表（一般）, Tokyo University of Foreign Studies, 2016年
  • The 1936 Olympics and the national body: Different selves/same others, The Olympic Games: Ambition, Spectacle, Legacy (1936-2016), 国内会議, 口頭発表（一般）, Tokyo University of Foreign Studies, 2016年
  • 文化遺産としての映画:日本映画の最初の黄金時代とそのグローバルなコンテキストコンテキスト, TUFS Cinema, 国内会議, 口頭発表（一般）, Tokyo University of Foreign Studies, 2016年
  • Itami Mansaku, contested history, and editorial interventions: cinema’s contribution to Japanese Studies, The Institute of International Japanese Studies International Symposium, 国際会議, 口頭発表（一般）, Tokyo University of Foreign studies, 2016年
  • Early transcontinental film relations: Japan, Germany and the compromises of co-production, Invited talk, 国内会議, Centre of Cultural Studies, 口頭発表（一般）, Tokyo University of Foreign Studies, 2015年
  • 'The individual, the state, and the industry: discourses in theatre and film in the fifteen years war, Workshop with Kan Takayuki, 国内会議, 口頭発表（一般）, Tokyo University of Foreign Studies, 2015年
  • Transnational star-constructing: Hara Setsuko's early star persona and the changing images of Japan, Sixth Annual Symposium for Consortium for Asian and African Studies, 国際会議, 口頭発表（一般）, Hankuk University of Foreign Studies, South Korea, 2015年
  • Filmraum Tokyo: Von eru-guro-nansensu zur Sozialsatire, Tokyo als Experimentierfeld einer anderen Moderne? – Alltagsleben und Alltagskultur als Schlüssel zur Neuinterpretation der zwanziger Jahre, 国際会議, 口頭発表（一般）, University of Cologne, Germany, 2015年
  • Restricted response: Itami Mansaku’s reaction to Arnold Fanck’s dream of Japan in New Earth (Atarashiki tsuchi, 1937), Japan Research Centre Seminars Series, 国内会議, 口頭発表（一般）, School of Oriental and African Studies, University of London, 2015年
  • Coproductions as a compromise? Japanese films on German screens (1926-1933), The 14th EAJS International Conference, 国際会議, 口頭発表（一般）, Ljubljana, Slovenia, 2014年
  • Transnational cinematic encounters in critical times: Germany and Japan in World War II, The Third Annual London Film and Media Conference, 国際会議, 口頭発表（一般）, London, United Kingdom, 2013年
  • Fr?ulein Setsuko Hara: Constructing an international film star in nationalist contexts, Rediscovering the Diva: Considering the Impact of Female Star Personae on Japanese Film and Visual Media, 国際会議, 口頭発表（一般）, Centre for Film Studies, School of Oriental and African Studies, University of London, 2013年

Last updated on 2024/12/6

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